Eastwest quantum leap gold orchestra castle

EASTWEST QUANTUM LEAP GOLD ORCHESTRA CASTLE MOVIE

If you look closely, you may spot my mixing references on the last two tracks. Then when the final master compression is set, it will even out nicely stuff without taking the dynamics away. And then, when I import stuff to Cubase, I compress a bit each track separately and then do even MORE audio automation to the volumes. IР’Т‘m using first a modulation wheel for articulating the sound to match the realism (as in, the sound changes depending on how hard you bow/ blow/ hit the instrument) and then I use volume automation as well to emphasize the crescendos and diminuendos even more. In order to have room for compression for the sound in the final mix and master, you have to have dynamics so wide- ranged it sounds almost stupid.

For you geeks out there, the final secret of creating real- sounding stuff is dynamics. As I was using the same sounds, I could just import the wave files to their own tracks and all the EQР’Т‘s, compressors and reverbs were right there.Р”В¬learing all the previous automations, I was ready to start from scratch to give the volumes and pannings the treatment they should have.

EASTWEST QUANTUM LEAP GOLD ORCHESTRA CASTLE MOVIE

After I had carefully orchestrated the whole stuff with midi, I exported every instrument separately out from Cubase as wave file and opened my movie scoreР’Т‘s mix template.

Eastwest quantum leap gold orchestra castle